2K Beats

In a world ruled increasingly by superstition and intolerance, Bad Religion's rousing wall-of-sound punk seems about as necessary now as ever before. It is the impassioned sound of reason, anthems of a bittersweet idealism and a guarded hope set to propulsive guitars and charging drumbeats. And while most groups with even half the artistic output have long ago morphed into stylistic self parody, Bad Religion is currently surging forward with a renewed creative intensity. Their fourteenth album, entitled New Maps of Hell, is both a nod to the band's defiant past and an undeniable step forward in the evolution of a genre they helped to define. While many of the new songs are as brutally fast and unflinchingly heartfelt as anything the band has done before, the record is also filled with unexpected sounds, inventive rhythms and lush pop choruses.

For this latest record, Bad Religion convened with renowned producer Joe Barresi at a downtown Hollywood recording studio just blocks from so many of the nightclubs and halls where the band first inspired legions of like minded young malcontents amidst the vibrant eighties Los Angeles punk scene. Back then, the band members had been young teen rebels from the dystopian suburbs of the nearby San Fernando Valley, leather clad intelligentsia lashing out at a pervasive culture of greed and conformity. And while the band might now look less like brash young upstarts and more like hip college professors (singer Graffin is, in fact, a college professor) - there's still a whole lot to rail against and the band is undeniably up to the task.

Credit:
“New Dark Ages”
Performed by Bad Religion
Courtesy of Epitaph
Written by Gregory Gaffin and Brett Gurewitz
Published by Fig Music (BMI).
Used by Permission

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